The video's style is inspired by the stop-motion animations by English filmmakers the Brothers Quay.įormats and track listings US single No. At the end, the box is empty, leaving the viewer to determine its meaning. The climax provides a barrage of imagery and revelations: a figure attached to a wall behind a translucent screen, a sentry of sorts wielding a mobile, robotic cannon and an organic substance flowing through a pipe found in the house. While experiencing these effects, the figure ventures through his living quarters and its many corridors. Its contents are kept hidden for the majority of the video's duration, but it seems whatever it is has had adverse mind altering effects – there are repeated shots of the humanoid levitating in his chair, and his head and arm vibrating wildly. He happens to stumble upon a wooden box, which he opens near the beginning. The video's protagonist is a small, humanoid being, who lives and sleeps in an abandoned mansion, in a rusty room sparsely decorated with a table, a chair, and a bed with no mattress and a curtain as a blanket. A live-action clay figure is shown twitching and vibrating violently. Whereas all four band members could be seen at all times during the previous clip, "Sober" shows only brief flashes of them. It was the first of Tool's videos to be made in stop motion, the earlier promo video for " Hush" being live action. It was filmed using stop-motion animation, with the characters' models designed by Adam Jones.
It debuted in May of that same year and was directed by Fred Stuhr. On Spotify, Kelly’s songs have recently drawn an average of about five million streams each month.Screenshot of the Sober music video depicting the humanoid being.Ī video for "Sober" was made in 1993. Kelly’s music remains widely available on other major streaming platforms like Apple Music, Spotify and Amazon Music, and has been included on hundreds of official playlists on those services. Since then, there has been little attempt to police the content of musicians accused of serious misconduct, to the dismay of many activists. In 2018, Spotify briefly instituted a policy banning the promotion of artists - including Kelly - whose personal conduct was deemed “hateful.” The policy was rescinded after objections in the music industry that it was vague and seemed to inordinately affect artists of color. But for most major recording artists, like Kelly, their record companies supply their music videos to YouTube through Vevo, which is jointly owned by Google and the major record companies. The answer may lie in the historical roots of YouTube as a platform for individual creators, who often operate without a corporate intermediary like a record company, and thus maintain more direct control over their video channels. This is consistent with how we’ve enforced our policies in the past.” When asked why Kelly’s music remains available on YouTube Music, and why that platform has different creator responsibility guidelines, a YouTube spokesperson said only: “Our creator responsibility guidelines are enforced for channels that are linked to the creator. Last month, Google said that there are 50 million subscribers to YouTube Music and YouTube Premium, which allows viewers to skip ads on videos. Kelly’s music is still allowed on YouTube through user-generated content, like cover versions of his songs, and on Kelly’s “ topic” page, which allows streaming of his recordings while a static image of his album artwork is displayed.Īnd Kelly’s music remains fully available on YouTube Music, a separate streaming platform that competes more directly with audio outlets like Spotify and Apple Music.
YouTube’s stance may be the first significant action taken by a major tech platform to remove Kelly’s content. In the past, YouTube has removed the channels of creators like Austin Jones, who made popular a cappella videos and in 2019 pleaded guilty to having underage girls send him sexually explicit videos. Kelly warrant penalties beyond standard enforcement measures due to a potential to cause widespread harm.” TOOL formed in 1990, releasing five studio albums: Undertow (1993), Ænima (1996), Lateralus (2001),10,000 Days (2006), and Fear Inoculum (2019) two EPs: 72826 (1991) and Opiate (1992), and the limited-edition boxset Salival (2000). Tool established themselves as one of Americas most enduring and unpredictable acts with an ever-evolving brand of muscular but mind-altering sonics, a wry sense of humor, and a mystical aesthetic that attracted a cult-like following of devoted fans with just a handful of albums spread across decades. Prior to their debut, the members had previous experience in the industry. They debuted on Februwith the digital single album ' ITz Different '. On Tuesday, a news report in Bloomberg quoted an internal memo by Nicole Alston, YouTube’s head of legal, which said, “Egregious actions committed by R. ITZY () is a five-member girl group under JYP Entertainment.